Friday, November 2, 2007

Greeks


Greeks
(Έλληνες)

Total population

approx. 17,000,000

Regions with significant populations
Flag of Greece Greece 10,196,539 (2001 census) [1]
Flag of the United States United States 1,291,381a (2005 census) [2]
Flag of Cyprus Cyprus 618,455 (2001 census) [3]
Flag of Australia Australia 365,147 (2006 census) [4]
Flag of Germany Germany 320,000 (2006 estimate) [5]
Flag of the United Kingdom United Kingdom 300,000 (estimated) [6]
Flag of Canada Canada 215,105 (2001 census) [7]
Flag of Russia Russia 97,827 (2002 census) [8]
Flag of Ukraine Ukraine 91,500 (2001 census) [9]
Flag of Albania Albania 58,785 (1989 census) [10]
Flag of Brazil Brazil 25,000 - 30,000 [11]
Elsewhere see Greek diaspora
Language(s)
Greek
Religion(s)
Predominantly Greek Orthodox, with Roman Catholic, Greek Catholic, Protestant, Muslim, Atheist and other minorities.
Footnotes
a An estimated 3,000,000 claim Greek descent.[12]

The Greeks (Greek: Έλληνες, IPA: [ˈelines]) are a nation and ethnic group who have populated Greece and the area of the Aegean Sea for over 3,500 years.[13] Today they are primarily found in the Balkan peninsula of southeastern Europe, the Greek islands, Cyprus, and throughout the world as part of the Greek diaspora.

Ancient Greek colonies and communities were established throughout the Mediterranean, including Magna Graecia, Marseille and Barcelona, but Greek people have always concentrated around the Aegean coasts, where the Greek language has been spoken since antiquity. The Mycenaeans were the first historical people to arrive in the area now referred to as 'Greece'. According to Thucydides, the name of Hellas spread from a valley in Thessaly to all Greek-speaking peoples through Homer's works.

During the Byzantine Empire, which was dominated by ethnic and linguistic Greeks, the culture shifted away from paganism and ancient philosophies in favor of Christianity and a successor empire to Rome. The Byzantine Empire was overcome by the Ottoman Empire, but the Greeks who lived at the core of that Empire did not lose their ethnic identity. As a result, until the early 20th century, Greeks were distributed across the southern Balkan peninsula, the western coast of Asia Minor, Pontus, and Constantinople, regions which coincided to a large extent with the borders of the Byzantine Empire of the late 11th century and the Eastern Mediterranean areas of ancient Greek colonization.

Other ethnic Greek populations can still be found from Southern Italy to the Caucasus and diaspora communities in a number of other countries. Today, the vast majority of Greeks self-identify as Greek Orthodox Christians.[14]

Contents

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Identity of the Greek people

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Subgroups
Antiochian Greeks · Aromanians
Arvanites · Cappadocian Greeks
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Hayhurums · Karamanlides
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Slavophone Greeks · Tsakonians · Urums

Religion
Greek Orthodox Church
Roman Catholicism · Greek Catholicism
Greek Evangelicalism · Judaism
Islam · Neopaganism

Languages and dialects
Greek
Calabrian Greek · Cappadocian Greek
Cretan Greek · Cypriot Greek
Griko · Pontic Greek
Tsakonian · Yevanic
Meglenitic · Aromanian
Arvanitika · Slavika
Karamanlidika · Urum

History

v d e

The Greek language has been spoken in the Greek peninsula (i.e. the southern Balkans) for over 3,500 years (and in western Asia Minor for a little less),[15] and has an unbroken literary history which makes it one of the oldest surviving branches of the Indo-European languages. From Ancient Greece the Greeks have inherited a sophisticated culture and language documented over three millennia.[13] Modern Greek is recognizably the same as the language of Athens under Pericles in the 5th century BC. Few languages can demonstrate such continuity.

The terms used to define Greekness have varied throughout history. By Western standards, the term Greeks has traditionally referred to any native speakers of the Greek language, whether Mycenaean, Byzantine or modern Greek). Byzantine Greeks valued the classical tradition, considered themselves the political heirs of Rome, and deemed themselves the ethnic, cultural, and literary heirs of ancient Greece. The use of the older self-descriptive ethnic term Hellenes revived during the era following the Greco-Latin clashes between the Byzantine Empire and the Western Crusaders in the 12th century. It regained some popularity through its use by late Byzantine Emperors and scholars such Gemistus Pletho and Ciriaco Pizzicolli. It became fairly common with the emergence, in the late 18th century, of the nation-state and its gradual consolidation, but it was not until the early 20th century that its popular use was firmly re-established.

The Greeks today are a nation in the meaning of an ethnos (έθνος in Greek), defined by possessing Greek culture, and having a Greek mother tongue, than by citizenship, religion or by being subjects to any particular country. However, the Greeks are self-identified as a genos (γένος in Greek) in the sense that they also share a common ancestry. The term Greek also referred to the Eastern Orthodox Christian inhabitants of the Rum Millet of the Ottoman Empire.

Greece became the first country in the Balkans to come into being, both as a nation-state and breaking away from the Ottoman Empire. The Greek revolutionary movement formed its own definition of Greekness out of the Byzantine and ancient Greek cultural heritage along with the influences of western nationalism. This attracted foreign support from the Philhellenes (meaning friends of the Greeks).

Mycenaean Greeks

The Mycenaean proto-Greeks were probably the first historical people to arrive in the area now referred to as 'Greece' (the southern tip of the Balkan peninsula) in the 16th century BC and the first that can be considered 'Greek' as an ethnic identity taking into account the Linear B syllabary (used for writing Mycenaean) as the earliest attested form of Greek. There are clear elements of cultural continuity through the Greek Dark Ages (1200 BC - 800 BC), until the advent of Classical Greece (800 BC onwards) and the rise of the Polis and in particular Athens. For example, in Homer's epic poems the Odyssey the Iliad - the latter describes the epic Trojan War - it is quite clear that he views the Greeks of Prehistory as the forefathers of the early classical civilization he inhabited, the likes of Achilles and Odysseus were viewed by Athenians, as well as others, as prime-examples of the ideal citizen of a Polis.

These elements of self-identification on its own clearly constitutes cultural continuity, but there are other elements as well that solidify this idea, the first being that Mycenaean Architecture, echoing influence from other civilizations around the basin, as well as the Mycenaeans' own particular style, owing as much as to limitations of the geography of the area (see: Geography of Greece), that would eventually lead to the formation of Classical Greek Architecture and Hellenistic Architecture, for example, the ruins of the columns at Knossos echoing a very archaic version of the Doric style of architecture so widely used in the Classical period.

Religion is another factor, with the Mycenaeans own pantheon of gods mirroring in many ways the pantheon of that of the Classical Greeks, this influence defined not only culture but part of Classical Greece's value system as well as their art. There is also clear linguistic continuity between the Proto-Greek language and the various dialects of Classical Greece. In particular, the Greek language written in the Linear B script is clearly an archaic form of the latter Koine Greek language.

These elements combined together do not amount to say, the same cultural output and continuity that Modern Greeks feel with Classical, Hellenistic and Byzantine periods of Greek History, but they nevertheless constitute the beginnings of the Greek identity, and the foundation, albeit in comparison to 5th century Athens a basic one, of Greece's Pagan religion, language, architecture and art.

Classical and Hellenistic

Kouros of the Archaic period, Thebes Archaeological Museum.
Kouros of the Archaic period, Thebes Archaeological Museum.

Herodotus states that the Athenians declared, before the battle of Plataea, that they would not go over to Mardonius, because in the first place, they were bound to avenge the burning of the Acropolis; and, secondly, they would not betray their fellow Greeks, to whom they were bound by:

  • A common language (ομόγλωσσον homoglosson – the use of one of the dialects of the Greek language),
  • Common blood (όμαιμον homaimon – descent from Hellen, son of Deucalion),
  • Common shrines, statues and sacrifices (practice of the ancient Greek religion – compare the Christian Greek and Demotic term ομόθρησκον omothriskon), and
  • Common habits and customs.

As Thucydides observes that the name of Hellas spread from a valley in Thessaly to the Greek-speaking peoples after the formation of the text of Homer (the Panellenes of Il. 2.530 are the troops of Thessaly, contrasting with the Achaeans), not long before his own time. This places the idea in the Archaic period, when Greeks discovered that the world was wider, wealthier, and more cultured than they had imagined. Homer's Trojan War is, indeed, a conflict among Greeks: the Trojans speak Greek (although most modern historians believe they were more likely an Anatolian people, based mostly on later translations of the story by late writers), bear Greek names, and worship the Greek gods; and Priam is descended from Zeus (see Alaksandu). The Carians are the only people Homer considers barbarophonoi.

Hellen, son of Deucalion, combined into one group the smaller tribes that participated in the Delphic Amphictyon, such as the Aeolians, the Achaeans, and the Dorians.

As early as the 5th century BC, Isocrates, after speaking of common origin and worship, says: "the name Hellenes suggests no longer a race but an intelligence, and... the title Hellenes is applied rather to those who share our culture than to those who share a common blood". Panegyric 4.50. After the 4th century BC and Alexander the Great's conquest of the East, Greek became the lingua franca of the East Mediterranean region and was widely spoken by educated non-Greeks.

Byzantine Greeks

Main article: Byzantine Greeks
The 11th century Trebizond Gospel was commissioned by the Komnenoi family of Byzantine emperors.
The 11th century Trebizond Gospel was commissioned by the Komnenoi family of Byzantine emperors.

After the creation of the Byzantine Empire, Greek culture changed from Hellenic (Greek pagan) to Eastern Roman (Greek Christian culture), and the word "Hellene" became associated with the pagan past. Distinctions of nationality still existed in the empire, but became secondary to religious considerations as the renewed empire used Christianity to maintain its cohesion. However, the Byzantine Empire was dominated by the Greek element to such an extent that Emperor Heraclius (575 CE - 641 CE) decided to make Greek the official language. From then on, the Roman and Greek cultures were virtually fused in the East. By that time, the Latin West had began referring to Byzantium as "Empire of the Greeks" (Imperium Graecorum).

Greek nationalism re-emerged in the 11th century within specific circles and became more forceful after the fall of Constantinople to the Crusaders of the Fourth Crusade in 1204, and the establishment of a number of Greek kingdoms (such as the Empire of Nicaea and the Despotate of Epirus). When the empire was revived in 1261, it became essentially a Greek national state. Adherence to Greek Orthodox rites and the Greek language, became the defining characteristic of the Greek people.

Greeks in the Ottoman Empire

Under the Ottoman Empire, religion was the defining characteristic of "national" groups (milletler), so "Greeks" (Rumlar) were defined by the Ottomans as members of the Greek Orthodox Church, regardless of their language or ethnic origin. Conversely, those who adopted Islam during that period were considered 'Turks', regardless of their language or origin. Yet, the Greeks themselves upheld the autocephalous concept whereby they maintained their unique ethno-religious identity and consistently distinguished themselves from other non-Greek Orthodox Christian populations. However, some Greeks such as Alexander Ypsilanti, expected non-Greek populations such as the Moldavians and the Wallachians to rise for Greek independence because they were Greek Orthodox Christians. However, both the Moldavians and the Wallachians were cognizant of their non-Greek identities and refused to contribute.

Greek heroine Manto Mavrogenous.
Greek heroine Manto Mavrogenous.

Modern independence

This strong relation between Greek national identity and Greek Orthodox religion continued after the creation of the modern Greek state in 1830, and when the Treaty of Lausanne was signed between Greece and Turkey in 1923, the two countries agreed to use religion as the determinant for ethnic identity. However, in many important respects, the Greek state adhered from its founding to remarkably secular principles. For instance, Jews were granted full citizens rights in 1830, the year Greece's independence was formally recognized, thus making Greece the second state in Europe (after France) with an emancipated Jewish community.

Today, the deeper integration of Greece into the Western strategic system and the effects of migration (both emigration from Greece in the 1950s and 1960s, and immigration into Greece in more recent years) have led to a perception of multiculturalism similar to that of Western European nations.

Names used for the Greek people

Main article: Names of the Greeks
Family group on a grave marker from Athens, National Archaeological Museum, Athens
Family group on a grave marker from Athens, National Archaeological Museum, Athens
Greek heroine Laskarina Bouboulina.
Greek heroine Laskarina Bouboulina.

Throughout the centuries, the Greeks have been known by a number of names, including:

  • Pelasgians (Πελασγοί) - The ancient Greek references to the Pelasgians are confusing; however some ancient Greek and Roman writers describe them as Greeks.[16][17][18]
  • Hellenes (Έλληνες) - In mythology, Hellen, son of Deucalion and Pyrrha, received from the nymph Orseis three sons, Aeolus, Dorus and Xuthus. Aeolus and Dorus, and two sons of Xuthus, Achaeus and Ion were the legendary founders, respectively, of the four principal tribes of Hellas, the Aeolians, Dorians, Achaeans and Ionians. Originally, only a small tribe in Thessaly were called Hellenes, but the word soon extended to the rest of the peninsula and came to represent all Greek people. In early Christian times it was sometimes used to mean "pagans". It remains in Greece today, the primary national name.
  • Greeks/Grecs (Γραικοί) - In mythology, Graecus was the brother of Latinus and nephew to Hellen. It was the name of a Boeotian tribe that migrated to the Italian peninsula in the 8th century BCE and probably through contact with natives there brought the term to represent all Hellenes, which then established itself in Italy and in the West in general. Aristotle and Apollodorus mention that it was the name used by Greeks before adopting the name Hellenes
  • Romioi (Ρωμιοί) - Romans is the political name by which the Byzantine Greeks called themselves during Late Antiquity and the Middle Ages. In parts of mainland Greece and Asia Minor, the use of this name survived well in the 20th century. The name in antiquity signified the inhabitants of the city of Rome in Italy, but with the elevation of the Greeks in the Roman Empire, it soon lost its connection with the Latins and acquired a completely different definition. Roman Emperor Caracalla with his Constitutio Antoniniana (212) granted all free people in the Roman Empire citizenship. The term Roman (Romaios) represented for the Greeks their Roman citizenship and their Hellenic ancestry. The word Romaioi came to represent the Greek inhabitants of the Byzantine Empire. It remains still in use today in Greece, being the most popular national name after Hellene and in Turkey to signify the Greek Orthodox minority. It is found also in the Koran; one Surah is entitled Ar-Rum meaning the eastern Romans, Byzantines, or the Greeks.
  • Achaeans, Argives, and Danaans are names used interchangeably by Homer, to signify the Greek allied forces.
  • Yavan or 'Javan', traditionally in Hebrew, Javan was the name of the tribe (and then the nation) which, according to the Torah, migrated from early Biblical times to establish the Balkan peninsula.
  • Yunan (Ίωνες), and Yavana were names used by Indians who encountered Alexander the Great and his successors who ruled areas of Central Asia. Originally from the Persian Yauna, itself a transliteration of the Greek Ionia, is the name by which the Greeks are known in the East today. The term became established in Asia from the Persians, who in contact with the Ionian tribes in western Asia Minor in the 6th century BC, extended the name to all Hellenes.

History of the Greeks

The history of the Greek people is closely associated with the history of Greece, Constantinople, and Asia Minor. During the Ottoman rule of Greece, a number of Greek enclaves around the Mediterranean were cut off from the core, notably in Southern Italy, the Caucasus, Syria and Egypt. By the early 20th century, over half of the overall Greek-speaking population was settled in Asia Minor (now Turkey). During the 20th century, a huge wave of migration to the United States, Australia, Canada and elsewhere created a Greek diaspora.

Modern and ancient Greeks

The most obvious link between modern and ancient Greeks is the language, which has enjoyed a documented tradition from at least the 14th century BC to the present day, some 3400 years. The Byzantinist Robert Browning, compares its continuity of tradition to Chinese alone.[19]

Modern scholars and scientists have supported the notion that there is a dominant racial connection to the ancient Greeks. Luigi Luca Cavalli-Sforza, Paolo Menozzi, and Alberto Piazza, have found evidence of a genetic connection between the ancient and modern Greeks.[20] Recent genetic analyses of Greek populations have provided strong evidence supporting the existence of overwhelmingly significant levels of continuity between ancient Greeks and modern Greeks (low admixture attributed to genetic isolation due to physical barriers such as hills and mountains).[21][22][23][24]

On the other hand, some scholars, notably popular in Nazi Germany, have supported the refuted theories of the 19th century historian Jakob Philipp Fallmerayer, who claimed that the ancient Greeks genetically disappeared at some point, and as modern Greeks have no genetic or cultural connection to them, Europe owes them nothing. His essays were refuted by numerous scholars of his time and were characterised by the Bavarian Academy of Sciences and Humanities as biased and unscientific.

Culture

Language

Greeks speak the Greek language, an Indo-European language which forms a branch in itself, although seems to be more closely related to Armenian (see also Graeco-Armenian) and the Indo-Iranian languages.[25] Greek literature has a continuous history of nearly 3,000 years, and has been written in the Greek alphabet since the 9th century BCE.

Greek demonstrates several linguistic features that are shared with Romanian, Albanian and Bulgarian (see Balkan sprachbund), and has absorbed numerous foreign words (primarily of Western European or Turkish origin). Due to the movement of Philhellenism in the 19th century in the rest of Europe, which emphasized the modern Greeks' ancient heritage, these foreign influences were excluded from official use via the usage of Katharevusa, a somewhat artificial form of Greek purged of all foreign influence and words, as the official language of the Greek state. In 1976, however, the Greek parliament voted to make Dhimotiki, the modern dialect of Athens, the official language, making Katharevusa obsolete.

Some members of the diaspora cannot speak the Greek language, but are still considered Greeks by ethnic origin or descent.

Greek has a wide variety of dialects of varying levels of mutual intelligibility, which in addition to official variety (Standard Modern Greek - Κοινή Νεοελληνική), include the Cypriot, Pontic, Cappadocian, Griko (Calabrian Greek) and Tsakonian (the only surviving representative of ancient Doric Greek) varieties. Yevanic, also known as Romaniote or Judeo-Greek, is the language of the Greek Jews (Romaniotes), and survives in small communities in Greece, New York and Israel.

In addition to Greek, many Greeks in Greece are bilingual in other languages. Such languages include Arvanitic, Aromanian (also known as Vlach), Slavic (also known as Dopia), Russian, Italian, English, and Turkish. In the diaspora, most Greeks also speak the languages of the areas in which they live.

Religion

The majority of Greeks are Eastern Orthodox Christians, belonging to the Greek Orthodox Church. There are also small groups adhering to other Christian denominations or religions. The main non-Orthodox Christian denomination are Roman Catholics, and more recently Evangelicals and other Protestant groups. Since the days of the Ottoman Empire there has been a Muslim minority within Greek society, and for much of its history, Greece has had a Jewish community.

See also:

Symbols

The most widely used symbol used by Greeks is the flag of Greece, which features nine equal horizontal stripes of blue alternating with white representing the nine syllables of the Greek national motto "Ελευθερία ή θάνατος" (Eleftheria i thanatos – freedom or death), which was also the motto of the Greek War of Independence. The blue square in the upper hoist-side corner bears a white cross, which represents Greek Orthodox Christianity. The Greek flag is also widely used by the Greek community in Cyprus (which has officially adopted a neutral flag so as to ease ethnic tensions with the Turkish minority – see flag of Cyprus), and by the Greek minority in Albania, which has led to ethnic clashes with the ethnic Albanian majority.

The pre-1978 (and first) flag of Greece, which features a cross on a blue background, is widely used as an alternative to the official flag, and they are often flown together. The national emblem of Greece features a blue escutcheon with a white cross totally surrounded by two laurel branches. A common design involves the current flag of Greece and the pre-1978 flag of Greece with crossed flagpoles and the national emblem placed in front.

Another highly recognizable and popular Greek symbol is the double-headed eagle, the imperial emblem of the Byzantine Empire and a common symbol in Eastern Europe. It is not currently part of the modern Greek flag or coat of arms, although it is officially the insignia of the Greek Army and the flag of the Church of Greece. It had been incorporated in the Greek coat of arms between 1925 and 1926.

Names

See: Greek surname

Greek surnames are most commonly patronymics. Occupation, characteristic and location/origin-based surnames names also occur. Due to the lack of written records prior to the 19th century, surnames were not formally maintained and could be changed by occupation or characteristic. After the advent of widespread written records, surnames have remained constant handed down from father to children.

Timeline of Greek migrations

Distribution of the Hellenic races
Distribution of the Hellenic races

Some key historical events have also been included for context, but this timeline is not intended to cover history not related to migrations. There is more information on the historical context of these migrations in History of Greece.

  • Pre-29th century BCE — Greek tribes migrate into the Balkans.
  • 20th century BCE — Settlements established on the Greek Peninsula
  • 17th century BCE — Decline of Minoan civilization, possibly due to the eruption of Thera. Settlement of Achaeans and Ionians in the Greek peninsula (Mycenaean civilization).
  • 13th century BCE — First colonies established in Asia Minor.
  • 11th century BCE — Doric tribes move into peninsular Greece.
  • 9th century BCE — Major colonization of Asia Minor.
  • 8th century BCE — First major colonies established in Sicily and Southern Italy.
  • 6th century BCE — Colonies established across the Mediterranean and the Black Sea
  • 4th century BCE — Campaign of Alexander the Great; Greek colonies established in newly founded cities of Ptolemaic Egypt and Asia.
  • 2nd century BCE — Conquest of Greece by the Roman Empire. Migrations of Greeks to Rome.
  • 4th century — Establishment of Eastern Roman (Byzantine) Empire. Migrations of Greeks throughout the Empire, mainly towards Constantinople.
  • 7th century Slavic conquest of several parts of Greece, Greek migrations to Southern Italy take place. Byzantine Emperors capture main Slavic bodies and transfer them to Cappadocia. Bosphorus re-populated by Macedonian and Cypriot Greeks.
  • 8th century Byzantine dissolution of surviving Sclaviniai and full recovery of the Greek peninsula.
  • 9th century Retromigrations of Greeks from all parts of the Empire (mainly from Southern Italy and Sicily) into parts of Greece that were depopulated by the Slavic Invasions (mainly western Peloponnese and Thessaly).
  • 13th century — Byzantine Empire dissolves, Constantinople taken by the Fourth Crusade; becoming the capital of the Latin Empire. Reconquered after a long struggle by the Empire of Nicaea, but fragments remain separated. Migrations between Asia Minor, Constantinople and mainland Greece take place.
  • 15th century — Conquest of Byzantium by the Ottoman Empire. Greek diaspora into Europe begins. Ottoman settlements in Greece. Phanariot Greeks occupy high posts in Eastern European millets.
  • 1830s — Creation of the Modern Greek State. Immigration to the New World begins. Large-scale migrations from Constantinople and Asia Minor to Greece take place.
  • 1913 — Macedonia partitioned; Unorganized migrations of Greeks, Bulgarians and Turks towards their respective states.
  • 1910s — approximately 353,000 Pontian Greeks killed [2].
  • 1919Treaty of Neuilly; Greece and Bulgaria exchange populations, with some exceptions.
  • 1923 — Treaty of Lausanne; Greece and Turkey agree to exchange populations with limited exceptions of the Greeks in Constantinople, Imbros, Tenedos and the Muslim minority (mainly Greeks, Pomaks, Roms and Turks) of Western Thrace. 1,5 million of Asia Minor and Pontic Greeks settle in Greece, and some 450 thousands of Muslims settle in Turkey.
  • 1947Communist regime in Romania begins evictions of the Greek community, approx. 75,000 migrate.
  • 1948Greek Civil War. Tens of thousands of Greek communists and their families flee into Eastern Bloc nations. Thousands settle in Tashkent.
  • 1950s — Massive emigration of Greeks to West Germany, the United States, Australia, Canada, and other countries.
  • 1955Istanbul Pogrom against Greeks. Exodus of Greeks from the city accelerates; less than 2000 remain today.
  • 1958 — Large Greek community in Alexandria flees Nasser's regime in Egypt.
  • 1960sRepublic of Cyprus created, as an independent Greek state, under Greek, Turkish and British protection. Economic emigration continues.
  • 1974Turkish invasion of Cyprus. Almost all Greeks living in Northern Cyprus flee to the south and the United Kingdom.
  • 1980s — Many civil war refugees were allowed to re-emigrate to Greece. Reverse migration of Greeks from Germany also begins.
  • 1990s — Collapse of Soviet Union. Approx. 100,000 ethnic Greeks migrate from Georgia, Armenia, southern Russia and Albania to Greece.
  • 2000 — Greece fully implements the Schengen Treaty.
  • 2000s — Some statistics indicate the beginning of a trend of reverse migration of Greeks from the United States and Australia.

Thursday, November 1, 2007

Taj Mahal

Taj Mahal

For other uses, see Taj Mahal (disambiguation).
Taj Mahal
Taj Mahal

The Taj Mahal (Devanagari: ताज महल, Nastaliq: تاج محل) is a mausoleum located in Agra, India, that was built under Mughal Emperor Shah Jahan in memory of his favourite wife, Mumtaz Mahal.

The Taj Mahal (also "the Taj") is considered as the finest example of Mughal architecture, a style that combines elements from Persian, Turkish, Indian, and Islamic architectural styles. In 1983, Taj Mahal became a UNESCO World Heritage Site and was cited as "the jewel of Muslim art in India and one of the universally admired masterpieces of the world's heritage."[1]

While the white domed marble mausoleum is most familiar, Taj Mahal is an integrated complex of structures and was completed around 1648. Ustad Ahmad Lahauri is generally considered as the principal designer of Taj Mahal.[2]

Shah Jahan, who commissioned the Taj Mahal -"Shah jahan on a globe" from the Smithsonian Institute
Shah Jahan, who commissioned the Taj Mahal -"Shah jahan on a globe" from the Smithsonian Institute
Artistic depiction of Mumtaz Mahal
Artistic depiction of Mumtaz Mahal

Contents

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Origin and inspiration

In 1631, Shah Jahan, emperor during Mughal's period of greatest prosperity, was griefstricken when his third wife, Mumtaz Mahal, died during the birth of their fourteenth child, Gauhara Begum.[3] The court chronicles of Shah Jahan's grief illustrates the love story traditionally held as an inspiration for Taj Mahal.[4] [5] The construction of Taj Mahal begun soon after Mumtaz's death with the principal mausoleum completed in 1648. The surrounding buildings and garden were finished five years later. Visiting Agra in 1663, French traveller François Bernier wrote:

I shall finish this letter with a description of the two wonderful mausoleums which constitute the chief superiority of Agra over Delhi. One was erected by Jehan-guyre [sic] in honour of his father Ekbar; and Chah-Jehan raised the other to the memory of his wife Tage Mehale, that extraordinary and celebrated beauty, of whom her husband was so enamoured it is said that he was constant to her during life, and at her death was so affected as nearly to follow her to the grave.[6]

Tomb of Humayun shares similar patterns with Taj Mahal
Tomb of Humayun shares similar patterns with Taj Mahal

The Taj Mahal incorporates and expands on design traditions of Persian and earlier Mughal architecture. Specific inspiration came from successful Timurid and Mughal buildings including the Gur-e Amir (the tomb of Timur, progenitor of the Mughal dynasty, in Samarkand),[7] Humayun's Tomb, Itmad-Ud-Daulah's Tomb (sometimes called the Baby Taj), and Shah Jahan's own Jama Masjid in Delhi. While earlier Mughal buildings were primarily constructed of red sandstone, Shah Jahan promoted use of white marble inlaid with semi-precious stones and buildings under his patronage reached new levels of refinement.[8].

Architecture

See the clickable Taj Mahal map layout as well.

The tomb

The focus of Taj Mahal is the white marble tomb, which stands on a square plinth consisting of a symmetrical building with an iwan, an arch-shaped doorway, topped by a large dome. Like most Mughal tombs, basic elements are Persian in origin.

Simplified diagram of the Taj Mahal floor plan.
Simplified diagram of the Taj Mahal floor plan.
Main iwan and side pishtaqs
Main iwan and side pishtaqs

The base structure is a large, multi-chambered structure. The base is essentially a cube with chamfered edges and is roughly 55 metre on each side (see floor plan, right). On the long sides, a massive pishtaq, or vaulted archway, frames the iwan with a similar arch-shaped balcony. These main arches extend above the roof of the building by an integrated facade. On either side of main arch, additional pishtaqs are stacked above and below. This motif of stacked pishtaqs is replicated on chamfered corner areas as well. The design is completely symmetrical on all sides of the building. Four minarets, one at each corner of the plinth, facing the chamfered corners, frame the tomb. The main chamber houses the cenotaphs of Mumtaz Mahal and Shah Jahan with their graves located on lower level.

Base, dome, and minaret
Base, dome, and minaret

The marble dome that surmounts the tomb is its most spectacular feature. Its height is about the same size as the base of the building, about 35 metre and is accentuated as it sits on a cylindrical "drum" of about 7 metre high. Because of its shape, the dome is often called an onion dome (also called an amrud or guava dome). The top is decorated with a lotus design, which serves to accentuate its height as well. The shape of the dome is emphasised by four smaller domed chattris (kiosks) placed at its corners. The chattri domes replicate the onion shape of main dome. Their columned bases open through the roof of the tomb and provide light to the interior. Tall decorative spires (guldastas) extend from edges of base walls,and provide visual emphasis to the height of the dome. The lotus motif is repeated on both the chattris and guldastas. The dome and chattris are topped by a gilded finial, which mixes traditional Persian and Hindu decorative elements.

Finial
Finial

The main dome is crowned by a gilded spire or finial. The finial, made of gold until the early 1800s, is now made of bronze. The finial provides a clear example of integration of traditional Persian and Hindu decorative elements. The finial is topped by a moon, a typical Islamic motif, whose horns point heavenward. Because of its placement on the main spire, the horns of moon and finial point combine to create a trident shape, reminiscent of traditional Hindu symbols of Shiva.[9]

At the corners of plinth stand minarets, the four large towers each more than 40 metre tall. The minarets display Taj Mahal's penchant for symmetry. These towers are designed as working minarets, a traditional element of mosques as a place for a muezzin to call the Islamic faithful to prayer. Each minaret is effectively divided into three equal parts by two working balconies that ring the tower. At the top of the tower is a final balcony surmounted by a chattri that mirrors the design of those on the tomb. The minaret chattris share the same finishing touches, a lotus design topped by a gilded finial. Each of the minarets were constructed slightly outside of the plinth, so that in the event of collapse, a typical occurrence with many such tall constructions of the period, the material from the towers would tend to fall away from the tomb.

Exterior decoration

Calligraphy on large pishtaq
Calligraphy on large pishtaq
Herringbone
Herringbone

The exterior decorations of Taj Mahal are among the finest to be found in Mughal architecture. As the surface area changes, a large pishtaq has more area than a smaller, the decorations are refined proportionally. The decorative elements were created by applying paint or stucco, or by stone inlays or by carvings. In line with the Islamic prohibition of the use of anthropomorphic forms, the decorative elements can be grouped into either calligraphy, abstract forms or vegetative motifs.

The calligraphy found in Taj Mahal are of florid thuluth script, created by Persian calligrapher, Amanat Khan, who signed several of the panels. The calligraphy is made by jasper inlaid in white marble panels and the work found on the marble cenotaphs in the tomb is extremely detailed and delicate. Higher panels are written slightly larger to reduce skewing effect from viewing below. Throughout the complex, passages from the Qur'an are used as decorative elements. Recent scholarship suggests that Amanat Khan chose the passages as well.[10][11] The texts refer to themes of judgment and include: Surah 91 - The Sun, Surah 112 - The Purity of Faith, Surah 89 - Daybreak, Surah 93 - Morning Light, Surah 95 - The Fig, Surah 94 - The Solace, Surah 36 - Ya Sin, Surah 81 - The Folding Up, Surah 82 - The Cleaving Asunder, Surah 84 - The Rending Asunder, Surah 98 - The Evidence, Surah 67 - Dominion, Surah 48 - Victory, Surah 77 - Those Sent Forth and Surah 39 - The Crowds. As one enters through Taj Mahal Gate, the calligraphy reads "O Soul, thou art at rest. Return to the Lord at peace with Him, and He at peace with you."[12][11]

Incised painting
Incised painting
Plant motifs
Plant motifs

Abstract forms are used especially in plinth, minarets, gateway, mosque, jawab, and to a lesser extent, on the surfaces of the tomb. The domes and vaults of sandstone buildings are worked with tracery of incised painting to create elaborate geometric forms. On most joining areas, herringbone inlays define the space between adjoining elements. White inlays are used in sandstone buildings and dark or black inlays on the white marbles. Mortared areas of marble buildings have been stained or painted dark and thus creating a geometric patterns of considerable complexity. Floors and walkways use contrasting tiles or blocks in tessellation patterns.

Spandrel detail
Spandrel detail

Vegetative motifs are found at the lower walls of the tomb. They are white marble dados that have been sculpted with realistic bas relief depictions of flowers and vines. The marble has been polished to emphasise exquisite detailing of these carvings. The dado frames and archway spandrels have been decorated with pietra dura inlays of highly stylised, almost geometric vines, flowers and fruits. The inlay stones are yellow marble, jasper and jade, leveled and polished to the surface of the walls.

Interior decoration

Jali screen surrounding the cenotaphs
Jali screen surrounding the cenotaphs
Detail of Jali
Detail of Jali
Tombs of Shah Jahan and Mumtaz Mahal
Tombs of Shah Jahan and Mumtaz Mahal
Cenotaphs, interior of Taj Mahal
Cenotaphs, interior of Taj Mahal

The interior chamber of Taj Mahal steps far beyond traditional decorative elements. Here the inlay work is not pietra dura, but lapidary of precious and semiprecious gemstones. The inner chamber is an octagon with the design allowing for entry from each face, though, only the south garden-facing door is used. The interior walls are about 25 metre high and topped by a "false" interior dome decorated with a sun motif. Eight pishtaq arches define the space at ground level. As with the exterior, each lower pishtaq is crowned by a second pishtaq about midway up the wall. The four central upper arches form balconies or viewing areas and each balcony's exterior window has an intricate screen or jali cut from marble. In addition to the light from the balcony screens, light enters through roof openings covered by chattris at the corners. Each chamber wall has been highly decorated with dado bas relief, intricate lapidary inlay and refined calligraphy panels, reflecting in miniature detail of the design elements seen throughout the exterior of the complex. The octagonal marble screen or jali which borders the cenotaphs is made from eight marble panels. Each panel has been carved through with intricate piercework. The remaining surfaces have been inlaid with semiprecious stones in extremely delicate detail, forming twining vines, fruits and flowers.

Muslim tradition forbids elaborate decoration of graves and hence Mumtaz and Shah Jahan are laid in a relatively plain crypt beneath the inner chamber with faces turned right and towards Mecca. Mumtaz Mahal's cenotaph is placed at the precise center of the inner chamber with a rectangular marble base of 1.5 metre by 2.5 metre. Both the base and casket are elaborately inlaid with precious and semiprecious gems. Calligraphic inscriptions on the casket identify and praise Mumtaz. On the lid of the casket is a raised rectangular lozenge meant to suggest a writing tablet. Shah Jahan's cenotaph is beside Mumtaz's to the western side. It is the only visible asymmetric element in the entire complex. His cenotaph is bigger than his wife's, but reflects the same elements: A larger casket on slightly taller base, again decorated with astonishing precision with lapidary and calligraphy that identifies Shah Jahan. On the lid of this casket is a traditional sculpture of a small pen box. The pen box and writing tablet were traditional Mughal funerary icons decorating men's and women's caskets respectively. Ninety Nine Names of God are to be found as calligraphic inscriptions on the sides of the actual tomb of Mumtaz Mahal, in the crypt including "O Noble, O Magnificent, O Majestic, O Unique, O Eternal, O Glorious... ". The tomb of Shah Jahan bears a calligraphic inscription that reads; "He traveled from this world to the banquet-hall of Eternity on the night of the twenty-sixth of the month of Rajab, in the year 1076 Hijri."

Details of lapidary craftsmanship are shown in the gallery - click image to see enlargement

The garden

360° panoramic view of the Chahar Bagh gardens
360° panoramic view of the Chahar Bagh gardens

The complex is set around a large 300 metre square charbagh, a Mughal garden. The garden uses raised pathways that divide each of the four quarters of the garden into 16 sunken parterres or flowerbeds. A raised marble water tank at the center of the garden, halfway between the tomb and gateway, with a reflecting pool on North-South axis reflect the image of Taj Mahal. Elsewhere, the garden is laid out with avenues of trees and fountains[13]. The raised marble water tank is called al Hawd al-Kawthar, in reference to "Tank of Abundance" promised to Muhammad.[14]The charbagh garden, a design inspired by Persian gardens, was introduced to India by the first Mughal emperor Babur. It symbolizes four flowing rivers of Paradise and reflects the gardens of Paradise and derived from the Persian paridaeza, meaning 'a walled garden'. In mystic Islamic texts of Mughal period, paradise is described as an ideal garden of abundance with four rivers source from a central spring or mountain and separate the garden into north, west, south and east.

Walkways beside reflecting pool
Walkways beside reflecting pool

Most Mughal charbaghs are rectangular with a tomb or pavilion in the center. The Taj Mahal garden is unusual as the main element, the tomb, is rather located at the end of the garden. With the discovery of Mahtab Bagh or "Moonlight Garden" on the other side of the Yamuna, Archaeological Survey of India interprets that the Yamuna itself was incorporated into the garden's design and was meant to be seen as one of the rivers of Paradise.[15] The similarity in layout of the garden and its architectural features such as fountains, brick and marble walkways, and geometric brick-lined flowerbeds with Shalimar's suggest that the garden may have been designed by the same engineer, Ali Mardan.[16]Early accounts of the garden describe its profusion of vegetation, including roses, daffodils, and fruit trees in abundance.[17] As the Mughal Empire declined, the tending of the garden declined as well. When the British took over the management of Taj Mahal, they changed the landscaping to resemble that of lawns of London.[18]

Outlying buildings

Gateway to the Taj Mahal
Gateway to the Taj Mahal

The Taj Mahal complex is bounded by crenellated red sandstone walls on three sides with river-facing side open. Outside these walls are several additional mausoleums, including those of Shah Jahan's other wives, and a larger tomb for Mumtaz's favorite servant. These structures, composed primarily of red sandstone, are typical of the smaller Mughal tombs of the era. The garden-facing inner sides of the wall is fronted by columned arcades, a feature typical of Hindu temples later incorporated into Mughal mosques. The wall is interspersed with domed kiosks (chattris), and small buildings that may have been viewing areas or watch towers like the Music House, which is now used as a museum.

The main gateway (darwaza) is a monumental structure built primarily of marble and is reminiscent of Mughal architecture of earlier emperors. Its archways mirror the shape of tomb's archways, and its pishtaq arches incorporate calligraphy that decorates the tomb. It utilises bas-relief and pietra dura (inlaid) decorations with floral motifs. The vaulted ceilings and walls have elaborate geometric designs, like those found in the other sandstone buildings of the complex.

Taj Mahal mosque or masjid
Taj Mahal mosque or masjid

At the far end of the complex, there are two grand red sandstone buildings that are open to the sides of the tomb. Their backs parallel western and eastern walls and these two buildings are precise mirror images of each other. The western building is a mosque and its opposite is the jawab (answer) whose primary purpose was architectural balance and may have been used as a guesthouse. The distinctions between these two buildings include the lack of mihrab, a niche in a mosque's wall facing Mecca, in the jawab and that the floors of jawab have a geometric design, while the mosque floor was laid with outlines of 569 prayer rugs in black marble. The mosque's basic design is similar to others built by Shah Jahan, particularly to his Masjid-i-Jahan Numa, or Jama Masjid of Delhi, a long hall surmounted by three domes. The Mughal mosques of this period divide the sanctuary hall into three areas with a main sanctuary and slightly smaller sanctuaries on either side. At Taj Mahal, each sanctuary opens onto an enormous vaulting dome. These outlying buildings were completed in 1643.

Construction

Ground layout of the Taj Mahal
Ground layout of the Taj Mahal

The Taj Mahal was built on a parcel of land to the south of the walled city of Agra. Shah Jahan presented Maharajah Jai Singh with a large palace in the centre of Agra in exchange for the land.[19] An area of roughly three acres was excavated, filled with dirt to reduce seepage and leveled at 50 meters above riverbank.

View from the Agra Fort.
View from the Agra Fort.

In the tomb area, wells were dug and filled with stone and rubble as the footings of the tomb. Instead of lashed bamboo, workmen constructed a colossal brick scaffold that mirrored the tomb. The scaffold was so enormous that foremen estimated it would take years to dismantle. According to the legend, Shah Jahan decreed that anyone could keep the bricks taken from the scaffold and thus was dismantled by peasants overnight. A fifteen kilometer tamped-earth ramp was built to transport marble and materials to the construction site. Teams of twenty or thirty oxen were strained to pull blocks on specially constructed wagons. An elaborate post-and-beam pulley system was used to raise the blocks into desired position. Water was drawn from the river by a series of purs, an animal-powered rope and bucket mechanism into a large storage tank and raised to large distribution tank. It was passed into three subsidiary tanks, from which it was piped to the complex.

The plinth and tomb took roughly 12 years to complete. The remaining parts of the complex took an additional 10 years and were completed in order of minarets, mosque and jawab and gateway. Since the complex was built in stages, discrepancies exist in completion dates due to differing opinions on "completion". For example, the mausoleum itself was essentially complete by 1643, but work continued on the rest of the complex. Estimates of the cost of the construction of Taj Mahal vary due to difficulties in estimating construction costs across time. The total cost of construction has been estimated to be about 32 million Rupees. [20].

The Taj Mahal was constructed using materials from all over India and Asia. Over 1,000 elephants were used to transport building materials during the construction. The translucent white marble was brought from Rajasthan, the jasper from Punjab, jade and crystal from China. The turquoise was from Tibet and the Lapis lazuli from Afghanistan, while the sapphire came from Sri Lanka and the carnelian from Arabia. In all, twenty eight types of precious and semi-precious stones were inlaid into the white marble.

An Artist's impression of A Bird's View of the Taj Mahal, from the Smithsonian Institute
An Artist's impression of A Bird's View of the Taj Mahal, from the Smithsonian Institute

A labour force of twenty thousand workers was recruited across northern India. Sculptors from Bukhara, calligraphers from Syria and Persia, inlayers from southern India, stonecutters from Baluchistan, a specialist in building turrets, another who carved only marble flowers were part of the thirty-seven men who formed the creative unit. Some of the builders involved in construction of Taj Mahal are:

  • The main dome was designed by Ismail Afandi (a.ka. Ismail Khan),[21] of the Ottoman Empire and was considered as a premier designer of hemispheres and domes.
  • Ustad Isa of Persia (Iran) and Isa Muhammad Effendi of Persia (Iran), trained by Koca Mimar Sinan Agha of Ottoman Empire, are frequently credited with a key role in the architectural design,[22][23] but there is little evidence to support this claim.
  • 'Puru' from Benarus, Persia (Iran) has been mentioned as a supervising architect[24].
  • Qazim Khan, a native of Lahore, cast the solid gold finial.
  • Chiranjilal, a lapidary from Delhi, was chosen as the chief sculptor and mosaicist.
  • Amanat Khan from Shiraz, Iran was the chief calligrapher. His name has been inscribed at the end of the inscription on the Taj Mahal gateway.[25]
  • Muhammad Hanif was a supervisor of masons and Mir Abdul Karim and Mukkarimat Khan of Shiraz, Iran (Persia) handled finances and management of daily production.

History

Soon after Taj Mahal's completion, Shah Jahan was deposed and put under house arrest at nearby Agra Fort by his son Aurangzeb. Legend has it that he spent the remainder of his days gazing at the Taj Mahal. Upon Shah Jahan's death, Aurangzeb buried him in the Taj Mahal next to his wife. By late 19th century, parts of Taj Mahal had fallen badly into disrepair.

Protective wartime scaffolding
Protective wartime scaffolding

During the time of Indian rebellion of 1857, Taj Mahal faced defacement by British soldiers and government officials, who chiseled out precious stones and lapis lazuli from its walls. At the end of 19th century British viceroy Lord Curzon ordered a massive restoration project, completed in 1908. He also commissioned the large lamp in interior chamber, modelled based on one in a Cairo mosque. It was during this time the garden was remodelled with British looking lawns that are visible today.

In 1942, the government erected a scaffolding in anticipation of an air attack by German Luftwaffe and later by Japanese Air Force. During the India-Pakistan wars of 1965 and 1971, scaffoldings were erected to mislead bomber pilots. Its recent threats came from environmental pollution on the banks of Yamuna River including acid rain due to Mathura oil refinery, which was opposed by Supreme Court of India directives. In 1983, Taj Mahal was designated a UNESCO World Heritage Site.

Tourism

Taj Mahal by Samuel Bourne, 1860.
Taj Mahal by Samuel Bourne, 1860.

The Taj Mahal attracts 2 to 3 million visitors every year with more than 200,000 from overseas, making it the most popular tourist attraction in India. Most tourists visit during the cooler months of October, November and February. Polluting traffic is not allowed near the complex and tourist must either walk from the carparks or catch an electric bus. The Khawasspuras are currently being restored for use as a new visitors centre.[26][27] The small town to the South of the Taj known as Taj Ganji or Mumtazabad was originally constructed with caravanserais, bazaars and markets to serve the needs of visitors and workmen.[28] Lists of recommended travel destinations often feature Taj Mahal, which also appears in several listings of seven wonders of the modern world, including the recently announced New Seven Wonders of the World, a recent poll[29] with 100 million votes.

Myths

Jean-Baptiste Tavernier, one of the first European visitors to the Taj Mahal
Jean-Baptiste Tavernier, one of the first European visitors to the Taj Mahal

Since its construction the building has been the source of an admiration that has transcended cultures and geography to the extent that the personal and emotional responses to the building have consistently eclipsed scholastic appraisals of the monument.[30]

A longstanding myth holds that Shah Jahan planned a mausoleum to be built in black marble across the Jumna river.[31] The idea originates from fanciful writings of Jean-Baptiste Tavernier, a European traveller who visited Agra in 1665. It was suggested that Shah Jahan was overthrown by his son Aurangzeb before it could be built. Ruins of blackened marble across the river in Moonlight Garden, Mahtab Bagh, seemed to support this legend. However, excavations carried out in 1990s found that they were discolored white that turned into black.[32]

No evidence exist for claims that describe, often in horrific detail, the deaths, dismemberments and mutilations which Shah Jahan inflicted on various architects and craftsmen associated with the tomb. Some stories claim that those involved in construction signed contracts committing to have no part in any similar design. Similar claims are made for many famous buildings.[33] No evidence exist on claims that Lord William Bentinck, governor of India in the 1830s, supposedly planned to demolish Taj Mahal and auction off the marble. Bentinck's biographer John Rosselli says that the story arose from Bentinck's fund-raising sale of discarded marble from Agra Fort.[34]

In 2000, India's Supreme Court dismissed P.N. Oak's petition to declare that a Hindu king built the Taj Mahal and reprimanded him for bringing the action.[35][33]. Oak claimed that origins of the Taj, together with other historic structures in the country currently ascribed to Muslim sultans pre-date Muslim occupation of India and thus, have a Hindu origin.[36] A more poetic story relates that once a year, during the rainy season, a single drop of water falls on the cenotaph as inspired by Rabindranath Tagore's description of the tomb as "one tear-drop...upon the cheek of time". Another myth suggests that beating the silhouette of finial will cause water to come forth. To this day, officials find broken bangles surrounding the silhouette.[37]